![]() ![]() Elsewhere, “The Miller’s Son,” a fiery instrumental, showcases the sort of guitar skills that appeal to fans of the late Stevie Ray Vaughan. That is especially true of the slower “When I Leave Here,” a blues song written by Ford that is based around his soulful chord-based guitar riff, and on which Ford sings with his heartfelt and clear vocals. Kortchmar made Ford’s music accessible to a non-blues audience, and the guitarist said, “Danny’s main gift to the record was: he kept us from beating anything to death and he made sure everything was fresh.” Where Ford was coming from During the 90s, when Kortchmar was working with Ford, he was also the musical foil for ex-Eagle Don Henley. He also produced and wrote songs with Jackson Browne. Ford’s version features his brother Mark on harmonica, while the rhythm guitar is supplied by producer Daniel Kortchmar, a celebrated guitarist and songwriter who helped defined the sound of the singer-songwriter boom of the 70s, and had worked with Linda Ronstadt, James Taylor, Carole King, Neil Young and David Crosby (among others). It’s followed by “Chevrolet,” a song that Taj Mahal recorded in the late 60s. This upbeat, rock-influenced song features the sort of clean and exquisitely formed lines and groove that are associated with Ford. It opens with the pulsating “Ragged Road,” which was given a promo video to coincide with a West Coast tour the band made in support of Handful Of Blues. Handful Of Blues covers a variety of styles, including jazz-blues balladry (“Don’t Let Me Be Misunderstood”), Texas shuffle (“Tired Of Talkin”) and jump blues (“The Miller’s Son”). “It is hard to find that kind of synchronicity,” he said. Ford said that the trio’s creativity came from a mutual feeling that they were playing with peers, working hard, and were all on the same musical wavelength. The Blue Line was comprised of Ford, bassist Roscoe Beck, and drummer Tom Brechtlein, another jazz fusion player who had been part of Chick Corea’s band. The album was recorded with his trio The Blue Line at the now-defunct Cherokee Studios in Hollywood, and released on August 31, 1995, when Ford was 44. The heart and soul of Ford’s playing, however, is the blues (though, admittedly, he is one of its funkiest, jazziest practitioners), and his range is represented in the fine album Handful Of Blues. ![]()
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